was just gazing at some of the tons of brilliantly beautiful ephemera images over at Ephemera Assemblyman, and I thought I’d post some covers of a Cornellian student-run magazine called The Widow. It enjoyed over six decades of publication (1894-1962) until it was forced to go out of print because of yucky financial problems (ain’t that always the case?). As the Ephemera Assemblyman quotes on his site, The Widow’s name derives from “the college widow,” which was the name co-eds used to ascribe to “the girl who bowled over class after class of freshmen without really landing one.” Lovely. As you might imagine, the contents and images of the magazine could occasionally trend toward the misogynistic. But oh how the designs were lovely. Take a peek…
(All images below courtesy of the Ephemera Assemblyman)
That last cover was for an issue that appeared in 1981 (yes, 19 years after The Widow had actually folded) and was meant to mock the 100-year anthology of The Widow‘s rival, The Cornell Daily Sun).
For more covers as well as some interior content, head over to the Ephemera Assemblyman HERE.
(Initial “I” from HERE)
Posted in Design & Paper, Type, Vintage
Tagged 1920s, academia, Cornell, Cornell Widow, design, education, Ephemera Assemblyman, flapper, illustration, magazine, print, publishing, Type, Vintage, women
It’s pretty unnecessary to state that I was supremely excited to receive the following Pelican 1969 edition of R.D. Laing’s Divided Self last week. In fact, I posted an image of a very similar edition last month and drooled over the cover design.
If all book covers were as cool as this, I probably wouldn’t mind that they’re strewn all over/next to/around my desk. And couch. And bed. And life.
And here are the covers of a couple of my old stand-bys: two texts by Alfred de Vigny from the 19th century. Stello (1832) and the play Chatterton (1835), which I’m currently translating into English.
These Garnier-Flammarion paperbacks from 1984 (Stello) and 1968 (Chatterton) are the first copies I ever purchased of each text. I now own three versions of Stello and four of Chatterton. You could say I love them.
Here’s another Stello paperback (Garnier 1970), frolicking next to Laing:
Yellows and blues and greens throughout the whole lot. Conspiracy?
Posted in Design & Paper, French, literature, Vintage
Tagged 1830s, 19th century, academia, Alfred de Vigny, blue, Chatterton, design, dissertation, Divided Self, France, French, French literature, Garnier, Garnier-Flammarion, green, literature, Pelican, PhD, R. D. Laing, Stello, translation, Vigny, Vintage, yellow